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    Voice Culture

    PURITY

    PROBLEM: To secure purity of voice, no particle of breath must be allowed to escape unvocalized.
    SOLUTION: Try to consistently “feeding” the breath very gently to the vocal cords and increasing the volume only after long practice.
    i’ He is the best speaker, *y says Lennox Browne, “control the expiration, that the least possible amount of air sufficient to cause vibration is poured with continuous effect upon the vocal organs.”
    Yawn e, a, aw, ah, o, oo,
    Practice shock of the glottis in gup, ge, ga, gaw, gah, go, goo.
    Repeat with rising, falling, and circumflex inflection.
    Pronounce e, a, aw, ah, 6, do, prolonging each ten or more seconds.
    Practice various musical scales.
    Repeat with oo-o-ah.
    Gradually change singing o to ah, maintaining a uniform quality throughout.
    Repeat with o.
    Sing le, la, law, lah, lo, loo, singly and in combination.
    Commence a humming tone as before, allow the lower jaw to drop gently, “focus” the voice on the lips and maintain as much facial resonance as possible.
    2. Sing ah, with mouth well opened, aiming at purity, depth and smoothness. Sustain and repeat on various pitches.
    Repeat in very low pitch.
    Repeat with bright and with sad vibrations.
    With mouth closed hum a mental maw. The vibration should be felt on the lips and in the facial resonators.
    Toss the sounds e, a, aw, ah, oh, oo.
    Project by slight waves of sound woo-woo-woo-woo.
    Repeat last two exercises in loud whisper.
    Count to fifty, ten to each breath.
    Count very deliberately one to fifty, inhaling after each number.
    Repeat with rising slide and with falling slide, aim ing at great clearness.
    Repeat in hup, he, ha, haw, hah, ho, hoo.
    Sing oo in gentle, smooth voice, avoiding unnecessary muscular effort.

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